All Around the Block
by Marcia Tucker

The best year of my life, at least as far as my education goes, was spent in Mrs. Guglielmelli’s first-grade classroom at P.S. 215 in Brooklyn. Mrs. Guglielmelli was the guardian saint of the holy terror set, and we competed for her attention like feral children. She was short and round as a dumpling, with copious dark hair and twinkling brown eyes. She smelled nice, smiled constantly, and never ever punished anyone. Instead, she’d kneel down and, taking a small hand into her own, look the young offender in the eye and whisper softly, "It makes me so sad when you throw your crayons at Mary, because you could be using them to make me one of your beautiful drawings."

Our first show and tell assignment was to talk about a favorite pet. Thanks to my parents’ less-than-welcoming attitude towards plants, animals, and children, I was presently petless. Then, on a Sunday afternoon as my Dad and I walked home from the trolley stop at McDonald Avenue, we ran smack into my salvation. There under the EL stood a dark-skinned, long-haired man in a rumpled white shirt and baggy brown pants, surrounded by towers of small glass containers displaying his exotic wares. Turtles! I was smitten by the turtle babies, by the intricate patterns etched on their backs, their yellow, striated underbellies, and especially those tiny feet, the miniscule claws delicately opening and closing on their newspaper floor. I cajoled, my daddy had a momentary lapse of judgment, and I skipped home joyously at his side carrying my treasure. I named my new pets Jack and Jill.

They were each about the size of a quarter and I transported them in a little white cardboard carton, the kind fried rice comes in. I had aspirations of raising them into boulder-sized prehistoric monsters that I could parade around the neighborhood on a leash, but they never had a chance to reach their full potential.

I wanted to test the "Jack and Jill" theory to see exactly what would happen when they fell down the hill, so I threw them out of our third-story apartment window. No sooner was Jack’s crown broken beyond repair than Jill tumbled after him onto the sidewalk, smashed to a bloody pulp.

The show and tell day arrived. When it was my turn, I stood before the class in my little white pinafore, crisply ironed by my mother that morning in honor of my first public appearance. I took a deep breath and told my story in a loud, clear voice. When I got to the final line, "and Jill came tumbling after," there was total silence. As I reached to open up the carton so the class could view the remains, Mrs. Guglielmelli stopped me. "A dignified, closed-casket funeral might be more appropriate," she whispered in my ear.




My family was part of a tiny enclave of Jews in our all-Italian neighborhood. Our block, running between Kings Highway and Avenue S, was densely lined with narrow, three-story brick row houses modeled on those that the first Dutch settlers had left behind. Each house had a basement apartment, a porch on the first floor, and a small second story that looked out on an impossibly crowded backyard. Trees, vegetable gardens, and Crayola-colored flowers flourished there amid the clotheslines which to me looked like giant necklaces, hung out in every weather and every season, festooned with aprons, overalls, sheets, dishrags, and embarrassingly oversized undergarments jiggling in the wind.

A strip of concrete sidewalk stretched the length of the block on either side, with a crack running crosswise every four feet or so. These divisions were not to be stepped on under any circumstances. Telephone poles with perpendicular iron rods running up them stood at thirty-foot intervals; the repairmen used them to fix the phone lines, but to us kids they were vertical playgrounds. Lampposts occupied the spaces between the telephone poles, tricycles and bikes collapsed at their feet like weary acolytes.

At dusk the street rang with the cries of mothers calling home their flocks for the nightly feeding: "TOE-KNEE! SUH-PPUH!" "MARIA, GETCHASEFF HOME NOW!" "JOSEPH, I’M GONNA KILLYA IF YA DOAN GEDDINHEAH!" Leaning out the open window, even my mother chimed in, although "Marcia" and "Warren" were names that hardly lent themselves to these kinds of operatic flourishes. In minutes the block would be cleared, leaving only the smells of spaghetti sauce wafting along the empty street. In the summer, the kids were let out again before bedtime to play one last game of hopscotch, hide-and-seek, or ring-a-leavio in the hopes of wearing us out.

Our landlords, John and Maria Benfante, were generous Italians who quickly befriended my parents and became our second family. Our doors were never locked unless both families were gone at the same time, and there was a steady exchange of food, utensils, umbrellas, hats, shovels, books, and anything else that anyone needed to borrow or lend. John and Maria had no children of their own, at least not yet, and they doted on me. I spent more time at their place playing games, listening to music, and overdosing on spaghetti, lasagne, pasta e fagioli, and milk and cookies than I did in our own apartment, where my mother was busy with my new baby brother and my father was gone, working late at the office. Plus, the Benfantes spent at least half the year getting ready for Christmas, a holiday whose splendors made me certain that I had been born into the wrong ethnic group.

On a hot July night in 1945, when I was five, I woke up suddenly in the dark, sweaty and scared. My tiny room, with its duck-and-umbrella decals and green wooden bed, faced the street. From the open window I heard explosions, the crash of garbage cans, men shouting. The noise was incredible. Terrified, I pulled myself up by the sill and peered out the window. The cheerful brick facades that I knew so well were transformed into a nightmare of leaping flames, showering sparks, and a blur of streamers and confetti, like an electrified snow globe that had short-circuited. Through flashes of white light I made out the figures of two burning men hanging from the lampposts, crowds of people dancing and hooting below them.

I began to cry so hard that I couldn’t breathe. I was choking, alone in the dark, when I felt John kneeling by my bed, his arms around me. His deep voice was telling me over and over, "It’s all right, bambina, it’s all right, it’s a party in the street, don’t cry!" He handed me his huge handkerchief. "Here, listen, let me tell you what a wonderful thing just happened. The war is over! And everyone is celebrating! Your mamma and papa went outside for a minute, because we’re all so happy!" He took a piece of candy from his pocket, unwrapped it, and put it in my shaking hand. "There now," he said, "that’s better," and he began to sing.

To me John was the handsomest man in the world. He was broad-shouldered and muscular, with big features, a shy smile, and a pompadour. He was also a real live celebrity, a radio opera singer. Because I would do anything to hear him sing, I stopped crying and curled up on his lap, hiccupping. He had a maple syrup baritone, and he liked to serenade me. At the first lilting note the burning men, reduced to cinders in my mind, floated off into the night air. Years later, I found out that they were effigies of Hitler and Mussolini. Whatever differences there may have been between the Italians and Jews in our neighborhood melted away into the flames that night—at least among the grown-ups.


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