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All
Around the Block
by Marcia Tucker
The best year of my life, at least as far as my education goes,
was spent in Mrs. Guglielmelli’s first-grade classroom at
P.S. 215 in Brooklyn. Mrs. Guglielmelli was the guardian saint of
the holy terror set, and we competed for her attention like feral
children. She was short and round as a dumpling, with copious dark
hair and twinkling brown eyes. She smelled nice, smiled constantly,
and never ever punished anyone. Instead, she’d kneel down
and, taking a small hand into her own, look the young offender in
the eye and whisper softly, "It makes me so sad when
you throw your crayons at Mary, because you could be using them
to make me one of your beautiful drawings."
Our first show and tell assignment was to talk about a favorite
pet. Thanks to my parents’ less-than-welcoming attitude towards
plants, animals, and children, I was presently petless. Then, on
a Sunday afternoon as my Dad and I walked home from the trolley
stop at McDonald Avenue, we ran smack into my salvation. There under
the EL stood a dark-skinned, long-haired man in a rumpled white
shirt and baggy brown pants, surrounded by towers of small glass
containers displaying his exotic wares. Turtles! I was smitten by
the turtle babies, by the intricate patterns etched on their backs,
their yellow, striated underbellies, and especially those tiny feet,
the miniscule claws delicately opening and closing on their newspaper
floor. I cajoled, my daddy had a momentary lapse of judgment, and
I skipped home joyously at his side carrying my treasure. I named
my new pets Jack and Jill.
They were each about the size of a quarter and I transported them
in a little white cardboard carton, the kind fried rice comes in.
I had aspirations of raising them into boulder-sized prehistoric
monsters that I could parade around the neighborhood on a leash,
but they never had a chance to reach their full potential.
I wanted to test the "Jack and Jill" theory to see exactly
what would happen when they fell down the hill, so I threw them
out of our third-story apartment window. No sooner was Jack’s
crown broken beyond repair than Jill tumbled after him onto the
sidewalk, smashed to a bloody pulp.
The show and tell day arrived. When it was my turn, I stood before
the class in my little white pinafore, crisply ironed by my mother
that morning in honor of my first public appearance. I took a deep
breath and told my story in a loud, clear voice. When I got to the
final line, "and Jill came tumbling after," there was
total silence. As I reached to open up the carton so the class could
view the remains, Mrs. Guglielmelli stopped me. "A dignified,
closed-casket funeral might be more appropriate," she whispered
in my ear.

My family was part of a tiny enclave of Jews in our all-Italian
neighborhood. Our block, running between Kings Highway and Avenue
S, was densely lined with narrow, three-story brick row houses modeled
on those that the first Dutch settlers had left behind. Each house
had a basement apartment, a porch on the first floor, and a small
second story that looked out on an impossibly crowded backyard.
Trees, vegetable gardens, and Crayola-colored flowers flourished
there amid the clotheslines which to me looked like giant necklaces,
hung out in every weather and every season, festooned with aprons,
overalls, sheets, dishrags, and embarrassingly oversized undergarments
jiggling in the wind.
A strip of concrete sidewalk stretched the length of the block on
either side, with a crack running crosswise every four feet or so.
These divisions were not to be stepped on under any circumstances.
Telephone poles with perpendicular iron rods running up them stood
at thirty-foot intervals; the repairmen used them to fix the phone
lines, but to us kids they were vertical playgrounds. Lampposts
occupied the spaces between the telephone poles, tricycles and bikes
collapsed at their feet like weary acolytes.
At dusk the street rang with the cries of mothers calling home their
flocks for the nightly feeding: "TOE-KNEE! SUH-PPUH!"
"MARIA, GETCHASEFF HOME NOW!" "JOSEPH, I’M
GONNA KILLYA IF YA DOAN GEDDINHEAH!" Leaning out the open window,
even my mother chimed in, although "Marcia" and "Warren"
were names that hardly lent themselves to these kinds of operatic
flourishes. In minutes the block would be cleared, leaving only
the smells of spaghetti sauce wafting along the empty street. In
the summer, the kids were let out again before bedtime to play one
last game of hopscotch, hide-and-seek, or ring-a-leavio in the hopes
of wearing us out.
Our landlords, John and Maria Benfante, were generous Italians who
quickly befriended my parents and became our second family. Our
doors were never locked unless both families were gone at the same
time, and there was a steady exchange of food, utensils, umbrellas,
hats, shovels, books, and anything else that anyone needed to borrow
or lend. John and Maria had no children of their own, at least not
yet, and they doted on me. I spent more time at their place playing
games, listening to music, and overdosing on spaghetti, lasagne,
pasta e fagioli, and milk and cookies than I did in our
own apartment, where my mother was busy with my new baby brother
and my father was gone, working late at the office. Plus, the Benfantes
spent at least half the year getting ready for Christmas, a holiday
whose splendors made me certain that I had been born into the wrong
ethnic group.
On a hot July night in 1945, when I was five, I woke up suddenly
in the dark, sweaty and scared. My tiny room, with its duck-and-umbrella
decals and green wooden bed, faced the street. From the open window
I heard explosions, the crash of garbage cans, men shouting. The
noise was incredible. Terrified, I pulled myself up by the sill
and peered out the window. The cheerful brick facades that I knew
so well were transformed into a nightmare of leaping flames, showering
sparks, and a blur of streamers and confetti, like an electrified
snow globe that had short-circuited. Through flashes of white light
I made out the figures of two burning men hanging from the lampposts,
crowds of people dancing and hooting below them.
I began to cry so hard that I couldn’t breathe. I was choking,
alone in the dark, when I felt John kneeling by my bed, his arms
around me. His deep voice was telling me over and over, "It’s
all right, bambina, it’s all right, it’s a party
in the street, don’t cry!" He handed me his huge handkerchief.
"Here, listen, let me tell you what a wonderful thing just
happened. The war is over! And everyone is celebrating! Your mamma
and papa went outside for a minute, because we’re all so happy!"
He took a piece of candy from his pocket, unwrapped it, and put
it in my shaking hand. "There now," he said, "that’s
better," and he began to sing.
To me John was the handsomest man in the world. He was broad-shouldered
and muscular, with big features, a shy smile, and a pompadour. He
was also a real live celebrity, a radio opera singer. Because I
would do anything to hear him sing, I stopped crying and curled
up on his lap, hiccupping. He had a maple syrup baritone, and he
liked to serenade me. At the first lilting note the burning men,
reduced to cinders in my mind, floated off into the night air. Years
later, I found out that they were effigies of Hitler and Mussolini.
Whatever differences there may have been between the Italians and
Jews in our neighborhood melted away into the flames that night—at
least among the grown-ups.
continued...
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